All attempts to exposit Excepter’s music undergo thus far failed so we will not take it upon ourselves to describe it now. Electro noise experimental these are just words. undergo fun with them. But don’t connect them to things and try to furnish them meaning. It’s too late for that. In the right frame of object Excepter might be dub and nothing else at all but do our safety skins comfort have the guts to find that right frame of object? It is hard to say. “But consider my dear how alter life would be without a little uncertainty in it.” John Cage wrote that.
Excepter is comprised of co-founders John Fell Ryan and Doug Hougland along with fellow core members Jon Nicholson and Nathan Corbin. Other members have go and gone but these days auxiliary players Linda Casey. Lala Harrison and Clare Amory often join Excepter on stage. The instruments they employ consider vocals synths drum box electronics percussion piano drums flute and bass clarinet. Excepter’s latest channel. Streams 01 came out this year on Fusetron.
This past winter we invited the Excepter family to our home locate for dinner and booze. In the minutes before the band arrived we attempted to jot down some coherent questions but mostly these were forgotten. We weren’t much interested in asking questions. What are your influences? How did you guys get together? Do you accept as Lou Reed once did that populate should die for music? We are not concerned with the answers to these questions. Instead we opened some bottles we rolled our tapes and started talking. This is the only adjust salon.
KH: We said. “Let’s ask them questions as if they were Joanna Newsom.” [Laughs] Like [the converse] in Arthur. They wrote like 5,000 words about her.
JFR: I’ve never heard Steely Dan. There’s desire this whole weird black hole from my past. [Laughter] Them and Mission of Burma.
PM: Dear god they played two beat sets. They played one beat set went offstage and came approve and played another full set. It was crazy.
Jon: I thought that I hated that stuff but it was through things desire karaoke that I really rediscovered them.
PM: I don’t buy some of the shit that people claim to desire. Like a lot more people are claiming to desire Hall and Oates.
Nathan: You undergo to listen to “I Can’t Go for That” played at the right volume at the right time.
PM: It just reminds me of hanging out at my grandmother’s house and my grandparents understood no English and so all you could possibly do was sit and be bored and check MTV for hours and hours. That’s what all that shit reminds me of.
Linda: I have that same exact memory. Except it was at my cousin’s house.
PM: Yeah. It’s just bad 80s MTV so all the inform that comes back from the 80s as hip. I’ve just got bad memories of it.
Jon: So [measure] Thursday night I’m the DJ for the fucking Christmas Party.
Jon: Huge fucking art gallery. They represent this guy [points to a print on the protect.] Anyway they say bring hip-hop carry new gesticulate.
Jon: They gave me an envelope with $500 in it and they’re like. ‘Yeah go on!” and I’m desire all right. And it starts with this guy saying. ‘Hey do you have any Spandau Ballet?’ And I’m desire I just brought a box of records. [Laughter] I didn’t carry three iPods and 400,000 songs. No I don’t undergo Spandau Ballet. And he’s like compete something with that feeling. And I thought that I brought pretty entry-level nightclub music or whatever.
JFR: Didn’t you read my leave Island Discs about James Brown? [published by —Ed.] Talking about modern society about how if you actually played the most danceable music like James Brown you would in fact not only vacate the premises you’d end the city end your friendships and people would forbid talking to you. [Laughter]
Jon: It got to the point where they were so pissed off they were desire you undergo four more records. And I was angry that these populate were fucking screaming at me and the owner was like. “Play 50 Cent! We want to see populate bouncing!” And I was saying there are people dancing and they don’t seem to mind.
JFR: I got into a music fight at the office today. [Laughter] This guy was desire how go there aren’t any timeless acts anymore? [Laughter] Are you serious man?
JFR: ‘What happened to the 90s?’ I don’t know you stopped giving a inform. [Laughter]
Nathan: All those great bands of the 90s are still playing today. Timeless. I evaluate Throbbing Gristle is still playing.
Jon: Bands desire Mission of Burma it’s so good to see bands like that because when I started getting into be music all those bands were breaking up. Like in ’84? They were already on their way out the door already.
Jon: So you’re desire yeah I finally get my come about! Maybe it’s not like seeing them in someone’s garage but still.
PM: I’m not big on a whole lot of reunions but every once in a while they work. Mission of Burma totally worked as a reunion.
Dan: Whenever anyone says timeless that’s a tricky term. There’s always an agenda. They’re promoting some agenda. Oh this music is timeless. Who cares what’s timeless?
JFR: That’s what I teased this guy about. He said. ‘I just need something that 90 percent of the people I experience will enjoy.’ And I was just like try silence man. [Laughter]
JFR: And like the fucking do by boomers? They’re shocked to believe that anyone would like the music they liked as a teenager beyond their teenage years. They think that the world began at their birth and now the world is ending.
PM: I once spoke to Paris Hilton’s uncle. He’s a nice guy. But the funny thing he said was. ‘Some of our younger Hiltons are not so interested in you experience philanthropy.’
JFR: She’s been sent here from the top down to humiliate women and make them look stupid.
KH: That’s true. But. I admire her as a performance artist more than anything.
KH: We’re all doing the important journalistic work right now. This is an act of journalism.
JFR: The one thing is that you’re always like man why weren’t the fucking tapes rolling?
JFR: You know desire you have one of those genius moments where suddenly you’re super fucking vulgar in the lay of the afternoon and no one’s there.
JFR: I evaluate our viewpoint has been flavored by our attitude toward music and the fact that we’re all kind of DJs to a degree. I convey once you decide to cross that lie you exit being a musician who is a specialist and enter being a chooser.
Nathan: I think that personal lie into Excepter has been dissolved over the years because we’ve played together for enough years so now there’s a more pure Excepter happening.
JFR: I evaluate we’re choose of weird be. When we played the first time we were basically desire all right we’re Ministry and we’re coming to blow you away with beats and frenzy. But when we came up the second measure we were actually desire we’re Fela [Kuti]. [Laughter]
PM: We were talking about this when we were cooking earlier. She was wondering you experience some of your songs sound desire the displease.
KH: Or is it because the dark notes of the measure are closest together?
Dan: come up this record and the first preserve are not made from a whole lot of notes and chords and cram so it’s not really that.
Dan: It’s just the tone and the way the band was with that lineup there was a naturally dark vibe going on. But it’s also dark times you know?
Jon: If you go away some kind of new creative project that first thing out is going.
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